Graham Parker
Two years ago, Swansea
artists Graham Parker and Sylvie Evans co-founded 15 Hundred Lives – a Swansea based, contemporary arts group bringing
accessible, contemporary visual art right into the heart of the City and County of Swansea and its diverse communities. It
was logical, therefore, for Sylvie and Graham to work together in Swansea assisting artist Catrin
Webster and historian and archaeologist Elena Isayev on the initial
community-based Future Memory in Place
project.
Both Sylvie and Graham were deeply committed to and actively
involved with the Future Memory in Place project from start to finish. They
worked alongside Catrin and Elena and relished the opportunity to engage with Swansea ’s diverse
communities in a project which enabled art and archaeology to collide. They
were delighted to be successful in their joint application as artist interns
for phase-two of the project, where they have again been working alongside Catrin
and Elena, Ceri and Andrew, the projects archaeologists interns, and Steph Mastoris,
Head of the National
Waterfront Museum .
Sylvie brings a wealth of educational and creative talent to
the project. Much of her artwork incorporates views of Swansea . Using her own photographs and
experiences of familiar places, both picturesque and social, she deconstructs
and reconstructs the traditional representation of a place; photomontage
techniques allow her to play with scale and perspective, to remove and add
alternative structures into the landscape to create new spaces. Confronted with
the seemingly familiar where everything is not always as it first appears, the
viewer thus begins to question reality. As a former head-teacher, Sylvie is
well placed to ensure that educational activities, arising from both the
artistic and archaeological parts of the project, link into the National
Curriculum documentation so that schools will use the activities in the
long-term.
Abstract in style, Graham’s current body of work is derived
from, and conceived as a result of, stimuli from the real urban, coastal and
rural environment, and the inner landscape of his imagination and life
experience.
He uses the exceptional physical qualities of paint, his
chosen medium, to full effect, allowing his creativity to run unrestrained,
producing fluid, organic forms, full of movement and bursting with colour. The
results have an immediacy and authenticity that incorporate ethereal,
harmonious, wholeness, and stark, grounded, imagery.
Abandonment and control work in a glorious juxtaposition of
visual lyricism and emotional tension in these vibrant paintings.
Graham will be staging site-specific art events, enabling
opportunities for learning and engagement with the National Waterfront
Museum ’s recently
installed Tessera Hospitalis sculpture
and the project Future Memory in Place, which created it. These
events, which are planned for late 2012 / early 2013, will include a series of
memory-maps and audio/video interventions capturing people’s sense and memory
of Swansea .
These exciting and interactive public engagement activities
around the themes of memory, place and identity will culminate in a permanent
interactive, audio component to the Museum’s Tessera Hospitalis sculpture and plaque.